This was my favorite shot I worked on in the film. It was a one off shot showing the inside during the SUV roll. I created a DMP background by splicing elements from other shots and manually animated it in. The glass was rendered CG, deep. All volume smokes are projected bank elements stacked throughout. I even added in some god rays for when the windows would face the sky. The only downside with the shots was the final note to reduce everything to 10%.